This weekend was the 5th annual Long Beach Comic & Horror Con at the Long Beach Convention Center in California. It was a mellow show with a consistent stream of excited fans who were interested in the BOOM! Studios and Archaia line-up, and indie stuff in general. Below is a small gallery of my favorite photos of the show, taken from behind the BOOM! booth!
November 26, 2013
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November 9, 2013
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It’s no secret on this blog I’m a longtime “Dune” fan. This year I decided to try my hardest to read every “Dune” novel in chronological order, beginning with the first book of the second prequel trilogy by Kevin J. Anderson and Brian Herbert — “Dune: The Butlerian Jihad.” Taking place thousands of years before the original “Dune” novel by Frank Herbert, this book focuses on the galactic struggle of mankind vs. the evil thinking machines! I finished it back in March — this is my review.
Back in 1992, the original Dune novel was my personal gateway into adult science fiction. First published in 1965, I was about eight-years-old when I read it cover to cover, and while most of the philosophical stuff went over my head (although it did make me start asking questions), much like a spice trance, Frank Herbert’s Dune opened my eyes to a much bigger literary world. I went on to read through Dune Messiah, Children of Dune and God Emperor of Dune, but only made it about 100 pages into Heretics of Dune (thus missing Chapterhouse: Dune altogether) before I became engulfed in the first wave of prequel novels written by Kevin J. Anderson and Herbert’s son, Brian Herbert.
Some time after the death of Frank Herbert in 1986, his son and other members of the Herbert estate uncovered notes by the author regarding extra Dune stories set outside and within the timeline of the first six novels. These notes were used as the outlines from which Anderson and Brian Herbert would write a dozen Dune spin offs (with a 13th installment teased for 2014), the first called House Atreides was published in 1999. Atreides begins a trilogy immediately preceding the first Dune book, starring the familiar cast of characters. Then the writing duo released a second trilogy, this time taking place thousands of years before Paul Muad’Dib and the Atreides’ rise to power, focusing on the fabled Butlerian Jihad where mankind wrested their freedom from the tyrannical thinking machines. If one were to read the Dune franchise in chronological order, this is where they’d begin.
Now, over ten years after reading any Dune books (save a joint reading of Dune with my fianceé three years ago), I have the urge to revisit the Dune universe from the beginning, and that means reading Dune: The Butlerian Jihad, published in 2002.
For Dune fans, this is a guilty pleasure read. It’s enjoyable and fast paced, but the philosophy is thinly veiled and the meta-messages aren’t nearly as layered as those in the original novels. This also makes it more accessible for the casual Dune fan. For people new to the franchise, Butlerian Jihad is a story of man vs. machine — artificial intelligence is massacring humanity with every opportunity, and only in the novel’s final act does mankind deliver a blow that resonates. It’s a prequel story, so we ultimately know how the events play out, but here we’re given the details…which are mostly grisly and traumatic.
The leading men are Xavier Harkonnen and Vorian Atreides — two notorious surnames found throughout the Dune mythos. In this story the antecedents of Paul Atreides and Feyd-Rautha Harkonnen come from polar opposite backgrounds and are two different hearts after the same woman in Serena Butler, whom the Jihad is named after. Vorian’s story is one of redemption, while Xavier’s is that of the tragic hero. While the Atreides banner is the one I’d pledge allegiance to in the later Dune stories, here the Harkonnen name bears more honor and Xavier is certainly a guy you root for. Vorian on the other hand begins as a servant of the machines, who quite frankly comes off as a tool. He becomes more likable as the story progresses, but Xavier is definitely the man who evokes emotion — especially considering the constant stream of tragedy he’s forced to endure throughout the book.
Comparatively, the other male characters are hit or miss. Ishmael and Aliid, the two slave boys on the planet Poritrin, are one dimensional, whereas Selim Wormrider of the planet Arrakis is a guy you eagerly await getting his due vengeance. Aurelius Venport and Tuk Keedair — two businessmen who deal in drugs and slaves, respectively — are there simply as plot devices. Keedair is a slaver who stumbles upon Arrakis and the spice. He then sells it to Venport, who specializes in the drug trade. The two men are obviously there to give reason for the spice Melange making it off of Arrakis and into the hands of the League of Nobles, eventually leading to a larger demand of the product that’s a staple theme in the original stories.
Similarly, Norma Cenva and Tio Holtzman, the science minds of Jihad who create weaponry and tech to combat the thinking machines and improve the human way of life, have interesting moments but mostly are another duo plot device. They create glowglobes, suspensor fields, and most notably in the Dune jargon, the Holtzman Shields where fast movement won’t pass through them but slow movement will. Norma Cenva’s blunt appearance and humble love of science makes for an interesting dichotomy with the eccentric, fame seeking Holtzman. Unfortunately, for a scientist, Holtzman’s character makes some strange common sense decisions not fitting a man of his intelligence, most notably purchasing a cadre of slaves from Keedair — these slaves were described in the book as an unruly, aggressive sort, yet Holtzman bought them to work in his laboratories anyway without thinking this may come back to bite him down the line. Which it does. Too often the pair’s scenes read like, “Hey, there’s all this tech that transcends throughout the entire Dune franchise. So who invented it all? These guys!”
To complete the transparent trifecta are Zufa Cenva and the psychic sisters of the planet Rossak, where Venport also resides. These women possess immense telepathic abilities and focus on selective breeding to produce near-perfect humans of maximum potential. What group from the original Dune novels does this sound like? The women of Rossak are not as mysterious and cryptic as the Bene Gesserit, although their combat scenes are intense. Conflictingly, the women of Rossak are described as gorgeous whereas the Bene Gesserit sisters, save Jessica and the less apt Princess Irulan, all reminded me of the nuns who stalked the hallways in my elementary school.
Fortunately, Butlerian Jihad bookends its protagonists Vorian and Xavier with a strong core of villains. Omnius is the computer evermind throughout the Synchronized Worlds who leads the crusade against humanity, and Erasmus is his number one. Erasmus is unique in that he’s the only robot to develop an independent personality. The machine is obsessed with understanding humans, to the chagrin of Omnius, and in doing so performs some sick experiments — the one that resonates most is when he dissects the brains of two twin little girls. This is but a glimpse of the horrors he concocts throughout the book and he creates the inciting incident which sparks the Jihad — a shocking and devastating scene handled extremely well by the book’s authors. In short, Erasmus is a sick, twisted bastard whose intentions are questionable, lacking any moral code or sense of sympathy.
A majority of Erasmus’s scenes are with leading lady Serena Butler. The underlying terror that grips Serena in her conversations with Erasmus, who only wants to better understand mankind, are some of the highlights of the book and the most anticipated scenes; this is where the most compelling dialog is found, complete with a sense of impending tragedy. The way Serena steels herself in the presence of the robot makes you really want her to make it out of her captive situation intact. She’s a strong character — more clever than, say, Princess Leia, but with less combat prowess.
The best villains of the book, though, are the Cymeks — human brains contained inside machine battle forms. The leading Cymeks are known as the Titans, who are thousands of years old. Long before the events in Jihad, the Titans were a group of ambitious people who led a revolt against lazy humanity — mankind had come to rely on machines to do everything for them, becoming complacent, and the Titans swooped in to conquer humanity. In becoming Cymeks, they preserved their own minds in immortal metal bodies and ruled over mankind until their ambition eventually got the better of them, leading to the robots becoming cognizant and the eventual thinking machine takeover. Omnius allows the Cymeks to live due to a programming clause keeping the machines from turning against them. The Cymeks are truly terrifying — they have the durability and firepower of any thinking machine, but the cunning and deception of a human. They’re ruthless and serve as a wild card in the war in that they hate humans, but they hate Omnius, too.
The leading Cymek, General Agamemnon, is the father of Vorian Atreides, who was grown in a lab from preserved sperm samples of the general before he was converted into a Cymek. One of the creepiest scenes of the book is when Vorian ceremoniously cleans his father’s brain canister. It’s equal parts erotic, reverent and just plain weird. It’s bizarre to think, too, that Paul Atreides and his father Leto come from the same stock as Agamemnon.
Finally, Jihad introduces the Cogitors — human minds who have been detached from their physical bodies, like Cymeks, but who only wish to live in peace and ponder the existence of the universe. Overall, these circular talking brains quickly become annoying to both the characters in the book and the reader with their indecisiveness. A cogitor plays a key role in the development of Iblis Ginjo, a slavemaster on the Omnius controlled ancient Earth, as it fuels the man’s rebellion against the machines. Gingo reminds me a lot of Borsk Fey’lya from the Star Wars expanded universe lore. He’s a politician who believes in good but uses his power and position to serve his own means.
Considering this is the introductory novel in a trilogy, there is a lot of exposition and therefore the experience is mostly sensational as opposed to lasting. The book makes the immense Dune universe feel small — readers familiar with the first three Frank Herbert novels may find many correlations with characters and themes in Jihad that often tiptoe along the line of being too conveniently connected. The reader’s willing suspension of disbelief is tested when contemplating why the machine evermind, Omnius, doesn’t obliterate mankind outright. The reasoning provided is porous. Additionally, there are moments of robotic emotion from both Omnius and Erasmus that seem to contradict the overall “mental mechanics” of the machines.
All this being said, Dune fans can appreciate and enjoy what this book accomplishes in expanding the Dune mythos. I had a lot of fun reading it; the future Earth setting that expands throughout the cosmos is cool, and regardless of where you stand in terms of your Dune knowledge, this is an accessible read for any sci-fi fan. If you like stories with themes of evil robotic characters in a dystopian future haloed by the hope of the human spirit, then Dune: The Butlerian Jihad is for you.
November 9, 2013
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Had my mind blown today reading First Second’s “The Moon Moth” by Jack Vance & Humayoun Ibrahim.
It’s about an insane world where instruments and the music played with them are used to determine class status. Masks convey one’s social worth. Now, picture Captain Kirk on this planet hunting a murderer, wearing a moth mask and ignorant of the musical customs — that’s where things begin.
November 5, 2013
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I took pictures of Alyssa Milano with fans at the BOOM! Studios/Archaia Entertainment booth during Stan Lee’s Comikaze Expo this past weekend in Los Angeles. Scored a quick selfie!
November 4, 2013
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Also known as Tyler Mane.
Hung out with him for a hot minute outside the Adoba Dearborn Hotel the night before Detroit Fanfare. Dude was puffin’ on a huge cigar. Chill guy.
August 23, 2013
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During Comic-Con International in San Diego last month, I covered TheOneRing.net’s “The Hobbit: The Desolation of Smaug” panel for Spinoff Online!
“With Peter Jackson absent from Comic-Con International in San Diego to finish production on The Hobbit trilogy, the duty of bringing Middle-Earth to Comic-Con fell to the staff of the TheOneRing.net. Consisting of TheOneRing personalities Alex and Kellie Rice, Josh Rubinstein and Rebecca Perry, with Cliff Broadway and Cathy Udovch driving most of the dialog, the panelists dug deep into the The Hobbit: The Desolation of Smaug, the second film of The Hobbit trilogy.
Releasing December 13 with limited information currently available from which to draw theories and deduce conclusions, the panelists energetically showed off their expertise of Tolkien lore, analyzing known sequences adapted from the novel. The most fun came when the panelists cut loose theorizing on new scenes and relationships from Smaug, including a larger role for the wizard Radagast, the inclusion of new elf character Tauriel, talking giant spiders, a Jackson-created side story for Gandalf, elven goddess Galadriel seeing combat action and Bilbo’s impending encounter with Smaug the dragon, voiced by Benedict Cumberbatch.
Breaking down the structure of Smaug and its parallel with the chronology of J.R.R. Tolkien’s novel, the panel took the crowd through the film’s outline, beginning with Bilbo Baggins and his dwarven allies meeting the giant bear-man Beorn. This encounter precedes The Company venturing into the dangers of Mirkwood, wherein lie the deadly spiders teased in The Hobbit: An Unexpected Journey.
“I want to see the ponies and sheep come out and do that catering gig at Beorn’s place,” Broadway commented with enthusiasm, referencing the anthropomorphic servants of the giant bear-man. A still shot of Beorn’s house was shown, as the giant animal played by Mikael Persbrandt towered over the small companions.”
August 22, 2013
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At Comic-Con International in San Diego, I covered IDW Publishing’s “Teenage Mutant Ninja Turtles” panel for CBR!
“At Comic-Con International in San Diego, Teenage Mutant Ninja Turtles co-creator Kevin Eastman took the spotlight during IDW Publishing’s Turtles panel, alongside ongoing series writer Tom Waltz, “Secret History of the Foot Clan” co-writer Erik Burnham and editor Bobby Curnow.
The big announcement was the latest installment of the “TMNT Villains Micro-Series” line featuring the Turtles’ arch-nemesis, The Shredder, written by Paul Allor and featuring art from the artist who launched IDW’s TMNT revival, Dan Duncan. Then, following the fan-favorite “City Fall” storyline in the ongoing TMNT title, “Northampton” will launch, with art by “Glory” artist Ross Campbell.
Tom Waltz opened the day’s Turtles discussion, touching on how the events of the ongoing series have led to the surprising and dramatic transpirings of “City Fall,” where Leonardo has been seduced by Shredder and the Foot Clan. “We spent a lot of time bulking the backstory of the characters, which is a distant separation from past backstories of different Turtles iterations — we fit certain parts in,” Waltz said. “The family dynamic in our series is different, especially regarding conflicts between the brothers. We had Leo and Donnie bumping heads, where in the past it was Leo and Raph. It had us thinking about Leo more and his place in the pantheon. He’s the Cyclops of the team — the straight and narrow, by the rules kind of guy, so we thought, lets shake that up a bit and manipulate his psyche and — forgive me for saying this — bring him over to the dark side.
“Leo and his demeanor is something Shredder in the modern world is attuned with and it appeals to him,” Waltz continued. “In being resurrected from Feudal Japan, Shredder has an old school attitude and he isn’t too keen on Karai. She’s female and he does not believe she’s able to lead, even though she’s capable of doing so — and Karai knows that. So bringing Leo into the fold changes things in not only what he’s doing in the mythos, but in adding conflict — family conflict. We have two families at war with one piece, Leonardo, being tugged back and forth.”"
August 12, 2013
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Spoke with new “Lady Rawhide” writer Eric Trautmann about reviving the 90s “Zorro” character with Dynamite Entertainment!
“Lady Rawhide first appeared in 1995 as a ”Zorro” spinoff series published by Topps Comics in the height of the decade’s “Bad Girl” comics craze. Now, Trautmann continues the legacy of Anita Santiago, introducing her into the new millennium for a different generation of readers.
Writer Eric Trautmann spoke with Comic Book Resources about his “Lady Rawhide” run, explaining how he’s adapting the character for a modern audience, the way her revealing costume serves a story-driven purpose and even giving his take on “Rawhide” creator Don McGregor’s comments about Dynamite’s relaunch.
CBR News: Eric, Lady Rawhide hasn’t been seen in an original comic book story since the 1990s — how are you approaching her revival in the new millennium for a modern audience? Are you sticking with her ’90s “Bad Girl” roots?
Eric Trautmann: Pretty much, yes, though I’d argue Lady Rawhide has been mislabeled as a “Bad Girl.” I ran a small comic shop in my hometown in the middle of that period in the ’90s, and Lady Rawhide always stuck out to me as being more akin to classic “Good Girl”/pinup girl art in style. Certainly the costume was revealing but just seemed more “cute” than her heavily sexualized contemporaries of the day.
I’ve endeavored to not make any changes to her origin. If anything, I’ve pushed her timeline ahead a couple years.
Joseph Michael Linsner’s cover for “Lady Rawhide” #1 looks identical to her original outfit. Does the interior art by Milton Estevam reflect this or does your interpretation of Lady Rawhide don a new look?
I’ve stayed faithful to the original material; her costuming remains unchanged.”
July 26, 2013
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Covered the “Mega Man” and “Sonic the Hedgehog” Archie Comics panel at San Diego Comic-Con International last weekend, where the creative teams for both universes talked details on what’s coming next following the “Worlds Collide” crossover!
“Archie Comics’ Sonic the Hedgehog and Mega Man panel kicked off in style at Comic-Con International in San DIegowith an 8-bit beat soundtrack playing under a trailer of things to come in the wake of the current “Worlds Collide” crossover event.
“I’ve been working on this story for over a year now, and I still get excited watching that trailer,” said Paul Kaminski panel host and Editor of both “Sonic the Hedgehog” and “Mega Man.” Other panelists included “Sonic,” “Sonic Universe” and “Mega Man” writer Ian Flynn, Archie Comics President Mike Pellerito and artists Ryan Jampole, Jon Gray and Evan Stanley. The main topic of discussion was, of course, the conclusion of “Worlds Collide” and what happens to all three titles in the event’s fallout.
“About three months before Archie got the Mega Man license, I thought a Sonic/Mega Man crossover would never happen,” Flynn said. “But I plotted one out anyway because I thought it’d be fun. Then, Capcom said they wanted to do a crossover with Sonic.”
“So the crossover’s great, but lets talk about the aftermath beginning this fall,” Kaminski said, passing the buck to new “Sonic the Hedgehog” artist beginning with issue #252, Evan Stanley.”
July 25, 2013
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At San Diego Comic-Con International, I covered Nickelodeon’s “Teenage Mutant Ninja Turtles” panel, complete with character design reveals for Season 2 and included every major voice actor from the show — it was awesome!
“If there’s one thing fans can accuse Nickelodeon’s ”Teenage Mutant Ninja Turtles” cast and crew of, it’s having a party even when there’s no pizza. The energetic and lively panel hosted by Executive Producer Peter Hastings played to a packed house at Comic-Con International in San Diego and included EP Ciro Nieli, Story Editor Brandon Auman and the voices of Raphael (Sean Astin), Donatello (Rob Paulsen, who voiced Raphael in the 1980s “Turtles” cartoon), Michelangelo (Greg Cipes), April O’Neil (Mae Whitman) and The Shredder (Kevin Michael Richardson).
“‘Ninja Turtles’ has only been on the air for ten months now, and it’s already become a global phenomenon — so thank you!” Hastings declared. With Season One wrapping in August, the “Ninja Turtles” team has big plans for Season Two, and the panel had fans mesmerized with teaser footage and character reveals throughout.
“We’re launching into Season Two with new characters and places to go,” Hastings continued. “Everybody was like, ‘This show’s gonna suck! I hate it! They’re messing with my childhood!’ But the response has been so great.”
Commenting on Roseanne Barr voicing Prime Kraang, Hastings said, “We just thought who’s the scariest person we can get?”
“People often ask what drew me to the part of Raphael. Nothing did. It’s Raph!” Astin said. “When Cipes is voicing Michelangelo, we’re laughing so hard it costs the studio money.”
“I’m just so excited voicing Mikey,” Cipes said in his normal speaking voice — which sounds exactly like his Turtle character. “Growing up as a kid watching the 80s cartoon, he’s made me who I am today. He got me into martial arts, skateboarding, meditating, eating pizza.”"
July 22, 2013
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In her first official interview ever, Siya Oum spoke with me about her creator-owned series with Aspen Comics, “Lola XOXO.”
“Siya Oum has been working in comics for the past decade coloring covers and interiors for Aspen Comics. Now she makes her creator-owned debut with Aspen’s “Lola XOXO” as both writer and artist, announced at Comic-Con International: San Diego and slated for release in 2014.
“Lola” stars a merchant woman surviving in the ruins of a great war, as she travels from location to location, bartering goods and supplies essential for survival. With a small hand-held arsenal at her disposal, Lola tries to break free from her past and look towards a brighter future.
Oum spoke with CBR News about “Lola XOXO,” revealing more details on the newly announced series and tells her story of how “Lola” came to become a reality at Aspen.
CBR News: Siya, before jumping into “Lola XOXO,” can you tell us a little about yourself, how you broke into the comics scene and ended up doing steady work with Aspen?
Siya Oum: It started about thirteen years ago when Top Cow Productions was exhibiting in Seattle, WA for a convention. I brought my sample pages with me and David Wohl was kind enough to look at my work, giving me great constructive criticism. I started to keep in touch with David years later, and he showed my work to Vince Hernandez at Aspen. My skills did not quite develop enough yet for pencils, but I was coloring my work digitally since college, so they started me off on color assists, then covers. Of course, I had to keep working at my art on the side, doing other projects for whatever I could get my hands on.
Not much is out there on “Lola” aside from the image released in a brief press release — what can you tell us about the story and who she is as a person?
“Lola XOXO” takes place thirteen years after a huge war. The majority of the United States has become a large wasteland of mercenaries, raiders, merchants and people barely getting by with their day to day lives. Lola was seven years old when she was separated from her parents right before the conflict began.The story is really about her struggle to adapt in this new world and separate herself from her past.”
July 21, 2013
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“Aspen Comics exclusively revealed to CBR News covers for four new titles releasing in 2014, including Frank Mastromauro, Vince Hernandez & Mike DeBalfo’s “#Cosplay,” Mastromauro & Marco Lorenzana’s “Awaken Skies,” Hernandez & Giuseppe Cafaro’s “Fathom: Kiani” and “Legend of the Shadow Clan” vol. 2 by David Wohl, Brad Foxhoven & Cory Smith.”
July 17, 2013
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Based on the email conversation I had with him regarding his “Teenage Mutant Ninja Turtles Villains Micro-Series: Alopex” one-shot, writer Brian Lynch is very much a TMNT fan!
“Brian Lynch spoke with CBR News about the origin of Alopex and what it was like to find himself working with TMNT co-creator Kevin Eastman on designing the character. We also discuss how the “Alopex” one-shot ties-in with the current TMNT ”City Fall” storyline and venture beyond the TMNT universe to touch on his other projects, including his “Despicable Me” prequel, “Minions,” and hope to return to the Buffyverse for a new “Spike” story.
CBR News: You introduced Alopex in the “Raphael” one-shot — was she a character you initially pitched to IDW? Can you talk about how she come to be?
Brian Lynch: She was a character I pitched to IDW, yessir. Kevin Eastman and Peter Laird’s original “Raphael” one-shot was the first appearance of Casey Jones. Casey burst onto the scene fighting with Raph, but then quickly became an ally. I thought it would be fun to reverse that storyline — we introduced Alopex as a potential ally, and then have Raph deduce that she’s the enemy.
Alopex was to be blindfolded and taken to the Turtles’ home, but she could still find her way back because of her abilities. For this plan to work, we needed an animal with an incredible sense of smell. I checked out this new site called “wikipedia” (you should go look, it’s amazing!) and learned foxes have insane senses of smell. The white arctic fox lent itself to two visuals we liked: a pristine white fox in the middle of grimy New York — that seemed cool — and if she got blood on her paws, it would really pop and stand out.
Alopex is an arctic fox that was mutated and trained by Shredder — everything she is, is because of him. She’s one of his most loyal soldiers. The humans in the Foot don’t know what to make of her — they’re a bit weirded out by her, but she doesn’t care. As long as Shredder is okay with her, she’s happy.
Her personality, her powers, her name — that was all in the original pitch. Bobby Curnow helped flesh out the story details. The brilliant Kevin Eastman came in and designed her, coming up with the idea of war paint on her face and the shark’s tooth, among other things. Then Franco Urru brought her to life so beautifully when he illustrated the issue. That first issue was a fun process. Alopex had an easy birth.”
July 15, 2013
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With San Diego Comic-Con commencing this week, TJ Dietsch and I broke down our top must-have exclusives available at the show! Below are a couple highlights, but click the link to see the master list.
“TJ Dietsch and CBR Assistant Editor Andy Liegl decided to run down the coolest Comic-Con International merchandise exclusives. These are the pieces we’re waiting in line to spend our hard earned cash on, including Transformers and TMNT figures, Pop! Vinyls, a Deadpool Corps collectors set, a Star Wars Black Series Boba Fett figure, Mighty Morphin Power Rangers pieces, “Iron Man 3″ MiniMates and lots more.”
TEENAGE MUTANT NINJA TURTLES | At last year’s show, Nickelodeon had a killer exclusive TMNT Leonardo action figure and this year they present his arch-nemesis, The Shredder. The Hollywood Reporterrevealed the figure last weekend, which comes with a removable mask in all its bladed glory. Expect this one to go fast — Leo didn’t last very long.
MIGHTY MORPHIN’ POWER RANGERS | What’s old is new again as the Mighty Morphin’ Power Rangers are storming the market place lately with new merchandise. Check out these exclusive character stands for Bluefin Tamashii Nations’ upcoming Red and Green Ranger S.H. Figuarts toys, which go on sale later this year. The 3-stand pack also includes a mystery piece for an as-yet unrevealed character from the MMPR line. Then over at Bandai, they’re offering a special edition Legacy Power Morpher, including the Green and White Ranger Power Coins. It’s limited to 1000 pieces, so don’t wait too long to pull the trigger!
DOOM | Twenty years ago DOOM stormed gamers’ PC’s and truly defined the term “first person shooter.” The game was the most installed piece of computer software in 1995, even beating out Windows 95 (DOS for the win!). For the 20th anniversary of the game’s 1993 release, Symbiote Studios is offering this 3.5 inch Space Marine figure with removable helmet and the most coveted weapon of the game — the BFG 9000. Don’t know what “BFG” stands for? Google it.”
July 14, 2013
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“When Brian Wood and Garry Brown’s ‘The Massive’ failed to appear in the past two Dark Horse Comics solicitations, fans were worried about what that might mean for the series Wood has said was slated for a thirty-issue run.
However, CBR has confirmed the series has not been canceled, and kicks off a 3-issue arc beginning with ‘The Massive’ #16 in September. Dark Horse has provided CBR with covers for ‘The Massive’ #16, #17 & #18 by artist J.P. Leon, along with the solicit information for #16. Below that, we also have an exclusive preview of ‘The Massive’ #14 which goes on sale July 24.”